From the monthly archives:

January 2010

Ella Morton

LiveJournal-era camwhoring, circa 2002

The internet and I have a very complex relationship. Look, I adore the ol’ World Wide Web. It’s been a part of my life since I was 13, with innumerable positive effects. But at the same time, I resent it for the social and psychological shifts that it’s provoked, both in myself and in the other People Of Earth. Chiefly, I feel weird about the the fact that it’s turning us into such self-involved, attention-craving, minutiae-chronicling screen-slaves.

In the real world, I feel uncomfortable engaging in self-promotional activity. I read stories about how actors and singers and writers made their way to the top by busting down doors and getting in people’s faces and asserting themselves and think, no way. There’s absolutely no way I’d have the moxie to do that.

On the internet, though, self-promotion is less confrontational. You’re not engaging with anyone face-to-face. No-one can see you, so it doesn’t feel as uncomfortable or intrusive. Gradually, you become more at ease with talking about yourself. Everyone else is doing it, so why can’t you? Why shouldn’t you tell people where you are and who you’re with? Why not post a photo of yourself that you just took five seconds ago? And if that’s okay, surely the next logical step is to sign up for Daily Booth, where you can sit in front of your laptop every day, pose for pics, then upload the cutest one so that your followers can tell you that they’re sooo jealous of your prettiness. Oh, sweet, crowdsourced validation. That’s what we all want in the end, innit?

Here’s why I’ve been thinking about this lately. A few months back I interviewed Cookie Monster for Rocketboom. In a fortuitous combination of luck, timing and pop-cultural relevance, the resulting video became very popular on YouTube, garnering over a million views in a matter of weeks. In the wake of this, a nice young man created a group on Facebook called “Fans of Ella Morton“.

Surprised and rather delighted by the emergence of the group, I posted a link to it on my Facebook profile, appending a mildly self-deprecating comment. Not five minutes later, my phone rang. It was my mother. The conversation went something like this:

“Hi mum!”
“Ella, take that down.”
“What?”
“That thing on your Facebook. You need to take it down right now.”
“The fan group thing? Why?”
“Because it makes you look really bad. You look like you’re full of yourself. People won’t like it at all.”
“Really? But I didn’t create that group –”
“It doesn’t matter, it still makes you look like you’re showing off. Trust me, you need to take it down, NOW.”
“But my friends will know I’m being ironic.”
“No — in America it’s normal to be pushy and self-promotional, but people in Australia will hate it.”
“Oh. Okay. I guess I’ll take it down.”
“Good. I have to go, I’ll talk to you later.”
“Bye.”

(I hung up the phone and died of embarrassment, only to be mysteriously reanimated for the express purpose of suffering further indignities.)

It’s a tough call, this self-promotion thing. When does it become obnoxious? For many people, self-promotion is a professional necessity. I am a freelance writer, actor and host, which means I need to display and promote my work in order to keep getting hired. The easiest way to do this is online. And if I have a lot of fans and followers — I don’t really like those terms, but whatevs — that increases my value to potential employers and collaborators. I certainly have to prove that people want to watch me if I’m to stand a chance at succeeding in ultra-competitive New York. And, hell, I want people to watch The Elegant Guide, because I worked hard on it and I’m happy with how it turned out.

Here’s my big question: have we always been self-obsessed, show-offy types, or is the internet normalising and exacerbating such behaviour? We’ve become so accustomed to broadcasting our lives — assuming that everyone is hanging on our every Tweet and nonchalantly posed, self-taken photo — that it suddenly seems normal to think of people as “fans” and “followers”. Everyone can be a microcelebrity.

Man. There are so many issues at work here. Part of it might be cultural, too. In Australia we have a little something called Tall Poppy Syndrome. It’s the culturally enshrined conviction that it’s embarrassing for someone to be vocal about their accomplishments. Any time someone gets a bit boasty or displays unchecked pride, a bunch of their friends will swiftly tell them to get back in their box, mate. Oz-grown celebrities frequently experience backlashes if they start looking too happy with their successes.

What are your thoughts on this stuff? I’d love to hear ‘em. It’s a complicated issue, and I still don’t know how I feel about it all. In fact, part of the reason I don’t update this blog more frequently is that I am reluctant to post about my life and what I do from day to day. It would just feel a bit silly and self-indulgent. But I guess that’s what blogs are for. Oh internet, you make fools of us all.

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Lately I’ve been amassing a collection of online videos that are guaranteed to make a bad day better. Here are a few for your viewing pleasure. Feel free to share your own favourites in the comments!

Benedick and Beatrice getting tricked in Much Ado About Nothing
This wondrous film was released in 1993. It’s the sunniest, liveliest, most gorgeous Shakespeare adaptation I’ve seen. Emma Thompson and Kenneth Branagh — who were married at the time — are the perfect Beatrice and Benedick, and this is the best scene in the movie. Even if you’re not into Shakespeare (Why? Why are you not into Shakespeare?!) you should watch this.



Lea Salonga auditioning for Miss Saigon
It’s 1989, and the producers of Les Miserables, best musical everrrr, are looking for an actress for their new musical, Miss Saigon. 17-year-old Lea Salonga walks into the room. They teach her the audition song. She opens her mouth and sings. Angel wings and unicorns and tiny delicate wisps of gold leaf flutter into the air and everyone dies from the beauty of it all. Or something very close to that, anyhow.



Conan O’Brien on Inside the Actor’s Studio
Poor Coco is having a rough time at the moment. His show is being taken away from him after only seven months, due to circumstances beyond his control. This interview with seasoned thesp interrogator James Lipton shows just how naturally funny he is. Sigh.



Between Two Ferns: Jon Hamm
Zach Galiafanakis. Whatta guy. His wilfully awkward web series, Between Two Ferns, is a brilliant antidote to the celebrity butt-kissing that goes on during your standard TV talk show. Zach is unimpressed by his guests’ accomplishments, occasionally antagonising them to the point of physical combat. This installment, featuring Jon “Don Draper and the guy Liz Lemon called a cartoon pilot” Hamm, is my favourite.

Josh Lawson on Thank God You’re Here
Thank God You’re Here is Australia’s contribution to the improv-on-TV landscape. People who appear on the show walk through a door into a particular situation — say, a picnic in the 1920s or a police raid — and have to convincingly bluff their way through the scene alongside professional improvisers. It’s consistently giggleworthy, and the shining star is Josh Lawson. Here he is making stuff up with admirable ease in a submarine scene.



That’s five, but as a sneaky plug I’m going to append the latest Elegant Guide, just because it was so fun to shoot, and the young actress whose mouth I taped shut with gaffa tape was such a trooper.

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How to survive a New York winter

January 5, 2010

Pic by Chris
Growing up in Australia, you think you know winter. Then you go somewhere like New York and realise that your life has been a balmy, sunny sham.
One of my biggest worries when moving here was not how difficult it would be to find a job during a recession or how tricky it [...]

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